http://www.senefeldernorth.com/beal-lithographs daily 0.75 2014-07-25 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8ba0de4b06641168a114a/1403566606263/th-salamander_color.png Beal Lithographs Spotted Salamander (Hand-Colored) https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8ba39e4b0e756f148e44a/1403566662266/th-chapel.png Beal Lithographs Chapel https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8bb26e4b051da4733a2c9/1403566886588/th-christopher.png Beal Lithographs For Christopher https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b90be4b0c510a544a213/1403566347792/th-clouds_wh.png Beal Lithographs Clouds (White on Black) https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8bab9e4b04d8e78aa98bb/1403566777800/th-holstein.png Beal Lithographs Holstein and Burdock https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8bb65e4b0912fbd177f64/1403566955959/th-gate.png Beal Lithographs Landscape With Gate https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8bb8ee4b0912fbd177fc1/1403566991114/th-angels.png Beal Lithographs Still-Life With Angels https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b97ee4b0cd8d798f14d2/1403566462558/th-meadow_white.png Beal Lithographs Morning Meadow (White on Black) https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8baeae4b007f309976924/1403566827227/th-self.png Beal Lithographs Self-Portrait https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8ba6de4b0051720d8a3e6/1403566701874/th-salamander.png Beal Lithographs Spotted Salamander https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b8e5e4b0c510a544a1c0/1403566310622/th-clouds Beal Lithographs Clouds https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b9e0e4b07e1fdf0e6126/1403566561068/th-meadow.png Beal Lithographs Morning Meadow https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8bb42e4b051da4733a314/1403566945256/th-lj_epano.png Beal Lithographs From Epano http://www.senefeldernorth.com/salamander-color daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af758de4b0dcf59ef3c64e/1404007822589/ Spotted Salamander (Hand-colored) Detail of the hand-colored "Spotted Salamander" shows some new patterns and forms not seen in the uncolored version of this print. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b82e95e4b0fc72367ad285/1404579503805/pg-lj_salamander_colored.jpg Spotted Salamander (Hand-colored) https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af763ae4b09f75e9f08e1e/1404007995947/ Spotted Salamander (Hand-colored) This detail of the hand-colored version of the print reveals softer edged forms and more subtle patterns. http://www.senefeldernorth.com/epano daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b08763e4b090217793d4e0/1404077944501/ From Epano A detail from the print reveals Jack's ability to get a full range of tones from a hard litho crayon https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b08aece4b0c1762f78950b/1404078882674/ From Epano Jack Beal's pastel "Downstream (View from the Studio)," published in Eric Shane's book, "Jack Beal." https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0878fe4b01e406523cd29/1404077970363/ From Epano Another detail from the lithograph illustrates how Jack responds not just to objects but to the tools and materials he is using. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b73b27e4b0a0921e4b59c7/1404517182368/pg-lj_epano.jpg From Epano http://www.senefeldernorth.com/begonia daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0ca43e4b0e2bdbc9fd172/1404095046873/ Self-Portrait With Begonia Working in the print room at St. Lawrence University, printer Roger Bailey prepares to pull an impression while Sondra Freckelton stands by ready to re-dampen the stone. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b17b8be4b03918d8ff97cb/1404140464077/ Self-Portrait With Begonia The underside of the begonia leaf offered Sondra some great shapes and textures with which she could work.. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac726ee4b03b3c565c8a67/1403810424001/pg-ls_self.jpg Self-Portrait With Begonia https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0ca71e4b0caf114eecde6/1404095090265/ Self-Portrait With Begonia This detail shows the grain of the lithographic limestone that Sondra drew on. http://www.senefeldernorth.com/welcome daily 1.0 2014-07-06 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b5a452e4b0357ec66c6e78/1404413051931/hmpg-beal.jpg Welcome The Artist, Jack Beal https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b5a729e4b0a0a0f104f2a4/1404413752533/hmpg-sondra.jpg Welcome The Artist, Sondra Freckleton https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/5377f693e4b0c4a5e9121d9a/1400370844877/gallery-peonies.png Welcome Jack Beal, Peonies and Creek on view in the prints gallery > https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b59feae4b04ccd84e1dc7e/1404411884090/hmpg-bailey.jpg Welcome http://www.senefeldernorth.com/roger-bailey daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b56c27e4b025af45772b86/1404398632647/page-roger.jpg Roger Bailey Roger Bailey, in the print studio of The Senefelder Club of the North Country. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b55a70e4b0c3274b8a5939/1404394103434/ Roger Bailey Jack Beal and Sondra Freckelton, guest artists, July and August, 1973, St. Lawrence University, Canton, NY. Photo credit: Peter Austin   http://www.senefeldernorth.com/brooding daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2f596e4b01da0d6aeedc0/1403314450318/ Self-Portrait, Brooding Jack signing the edition, April 27, 2005, at 74 years of age. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2f454e4b017961ee50b7a/1403314025247/ Self-Portrait, Brooding Drypoint is one of the intaglio techniques. For this print Jack scratched directly into the copper plate with a sharp needle. Notice that the lines are softer than an etched line, more varied in tone and taper at the end of the line. This is an early experiment and Jack proofed the plate himself. It was not editioned until 2005. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2f6bfe4b01ed87c5de993/1403314513073/ Self-Portrait, Brooding Jack's signature for his drypoint print of "Self-Portrait Brooding." https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a0f7fee4b037955eb31ce2/1403058182122/beal-brooding.png Self-Portrait, Brooding https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2f561e4b06eb49788670c/1403314319176/IMG_3977.JPG Self-Portrait, Brooding Looking into a mirror reverses the image; pulling a print reverses it again. Jack was 34 years old when he made this self-portrait in 1965. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2f620e4b01da0d6aeef05/1403314187627/ Self-Portrait, Brooding Roger Bailey looks through some of the Jack Beal "bon à tirer" proofs. These "good to print" proofs were designated by Jack as the standard for print quality for each print in an edition and traditionally are a gift from the artist to the printer. http://www.senefeldernorth.com/jack-beal daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b58cfbe4b089bf6ae8e5c1/1404407037653/ Jack Beal Jack Beal, September. 2011, "The Return of Spring," installed on the mezzanine of the subway station complex under Times Square. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b5dc47e4b0b0a603321fef/1404427335751/ Jack Beal Jack Beal, in Canton, NY, April, 2005. Jack could be eloquent and he could be passionate, and he could be generous, and much more. Some times he might mug for the camera. http://www.senefeldernorth.com/peonies-and-creek daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2ea1ce4b00d76447b2990/1403185723386/ Peonies and Creek Roger Bailey examines one of the edition prints. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/539792b5e4b0485827c0a872/1402442440868/pg-peonies.png Peonies and Creek https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2eae9e4b00d76447b2ad5/1403582261496/ Peonies and Creek Jack signs the edition, April 28, 2005. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2ea69e4b00d76447b2a0e/1403185807528/ Peonies and Creek This detail from "Peonies and Creek" reveals Jack's precise control and elaborate scheme. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2e9cbe4b05bbc2dca94a5/1403185647279/ Peonies and Creek Before the copper plate, with it's delicate aquatints, is ready for editioning, a microscopically thin layer of pure iron has bee deposited onto the plate. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2eb10e4b00d76447b2b17/1403185960251/ Peonies and Creek Jack's signature, lower right. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a77e01e4b0544d11f9fa07/1403485701684/ Peonies and Creek In determining the tones and textures of the aquatints, Jack would often draw with washes on earlier state proofs. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2eac3e4b00d76447b2a77/1403185872310/ Peonies and Creek A detail shows six or seven different aquatint tones and textures. Very nice work by Jennifer Melby. http://www.senefeldernorth.com/dana-and-sable daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a22402e4b0600d8daf9189/1403135026387/ Dana and Sable The completed copper plate has been steel faced and is ready for final proofing and editioning. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a77bbfe4b0b50b4e48d57d/1403485180281/ Dana and Sable Jack has applied a wash over an early state proof, planning how he would like to see the aquatints developed. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53aafdfce4b0b7e20572b699/1404277161025/ Dana and Sable Jack signs the edition, April 28, 2005 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a0fa42e4b0225287121223/1403058759600/beal-dana.png Dana and Sable https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a22501e4b0600d8daf935e/1403135245338/ Dana and Sable Jack's signature in the lower right. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2245ae4b0600d8daf9245/1403135102930/ Dana and Sable A detail from a finished print showing the line etching and aquatint work. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a223c1e4b0600d8daf9102/1403134933304/ Dana and Sable The copper plate in an early state, in preparation for an aquatint. http://www.senefeldernorth.com/dark-pool daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a20288e4b0b4f1b3a9f083/1403126425336/ Dark Pool Detail from a finished print revealing the line etching and several aquatint tones. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a201ece4b06b36446ffa58/1403126271842/ Dark Pool The completed copper plate after it has been steel faced to protect the aquatints. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a77b0ee4b0b0e684be4585/1403484946178/ Dark Pool First state proof, line etching only. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2033ae4b0b4f1b3a9f1d9/1403126593887/ Dark Pool Jack signing the edition, April 28, 2005. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a221ebe4b07ded53302f74/1403134450151/ Dark Pool Jack's signature, lower right, with detail of the aquatint tones. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a0fbbee4b04eb2cd45940a/1403059155633/beal-pool.png Dark Pool https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2024ce4b0b4f1b3a9f02c/1403126363950/ Dark Pool Close-up of the completed plate. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a202c9e4b0b4f1b3a9f111/1403126484971/ Dark Pool Roger Bailey inspects one of the prints in the edition of "The Dark Pool." http://www.senefeldernorth.com/labor-studio daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a22fa4e4b06c9050b7f7e5/1403137969778/ Labor Studio The deep etch of the soft ground is evident and the copper plate is beginning to show through the steel facing after it was proofed and editioned many times. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2326ee4b0365dad7a2b02/1403138679363/ Labor Studio This detail from a finished print shows the complex intaglio processes as it depicts the wooden bridge leading from the house and studio across the creek to the rock formations and hills beyond. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a77d1de4b00f6c4230ba5e/1403485503627/ Labor Studio The ink drawing was used to develop the print as a soft ground etching, quite different in character from lines drawn with a needle into a hard ground. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a23051e4b01ed87c5cfa4a/1403138137059/ Labor Studio A close-up view shows the depth of the soft ground etching. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a0fdbee4b037955eb3289c/1403059650685/pg-studio.png Labor Studio https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2329de4b0212a4069abbb/1403138719934/ Labor Studio Jack signs the edition, April 28, 2005. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a23157e4b0742559054fcf/1403138436008/ Labor Studio Roger Bailey inspects a print to be sure it has not been over or under wiped. This was one of the more difficult prints in Jack's "Experimental Suite" to ink and wipe with consistency. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a232c7e4b0212a4069ac29/1403138767298/ Labor Studio Jack's signature, lower left, and details of soft ground and aquatint. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a77cf0e4b00f6c4230ba0d/1403485426762/ Labor Studio This partially completed ink drawing may be the first drawing Jack did for his print of the Labor Studio and the near-by creek and bridge. http://www.senefeldernorth.com/dam-and-stump daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b73e1ae4b0431f9c9db484/1404517924803/ Dam and Stump Developing his composition, Jack has drawn in ink a fence post and barbed wire, to a first stage proof. The aquatints will be added at a later stage. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1fd59e4b0a429a2642664/1403125082344/ Dam and Stump Jack signing the edition, April 27, 2005. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1fc68e4b0c1bc44871950/1403124871261/ Dam and Stump The copper plate after it has been steel-faced. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a0ff10e4b06b36446e8c23/1403059991994/pg-dam.png Dam and Stump "Dam and Stump" https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1fbe3e4b00a948fe1d75e/1403124716234/ Dam and Stump Earlier stage of the copper plate with stop-out ground. Processing by Jennifer Melby. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1fc0ee4b00a948fe1d7c6/1403124776749/ Dam and Stump Close-up of the completed plate. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1fcaae4b0c1bc448719c6/1403124941189/ Dam and Stump Detail of the print showing both line etching and aquatint techniques. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b4baf5e4b09f05a79afa72/1404353282984/ Dam and Stump A photograph of the dam on Ouleout Creek before a major flood essentially destroyed it. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1fcf7e4b0c1bc44871a85/1403125010233/ Dam and Stump Jack's signature, lower right, with close-up of the aquatint tones. http://www.senefeldernorth.com/barn-from-house daily 0.75 2014-07-03 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a10281e4b014e173708c6b/1403060890500/pg-barn.png Barn From House "Barn From House" https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1d204e4b0071b1f17576e/1403113996242/ Barn From House Jack's signature, lower right.. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1d1ade4b0071b1f17566d/1403113908512/ Barn From House The copper plate. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1d1d8e4b0071b1f1756e4/1403113957432/ Barn From House Detail of the line etching. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1f713e4b06eb49786f28a/1403123514019/ Barn From House Jack signing the edition April 27, 2005. http://www.senefeldernorth.com/pond daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2296fe4b014ec3a9626ef/1404515532785/ Pond The copper plate was developed entirely with line etching. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a9b374e4b0013f075e8a00/1404515760560/ Pond The lithograph "Holstein and Burdock" Jack made in 2003 uses the same California fence gate seen in his etching. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a22a6de4b022528713f857/1403136659148/ Pond A detail from a section of "Pond" reveals lines that have been bitten in the acid for different lengths of time. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a22ac7e4b014e173725790/1403136721946/ Pond Roger Bailey inspects one of the prints pulled for the edition. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a10374e4b017961ee24ff1/1403061115022/pg-pond.png Pond https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a22af0e4b014e1737257eb/1403136757860/ Pond Jack signs the edition on April 28, 2005 http://www.senefeldernorth.com/chicken-house daily 0.75 2014-07-03 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2eef6e4b0b4f1b3ab58c2/1403186938856/ Chicken House The dark material on this plate is a stop-out ground that prevents acid from biting certain areas of the plate. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2f00be4b09ef21bdc1e73/1403187222168/ Chicken House Jack's signature, lower right. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2efe4e4b09ef21bdc1e25/1403187181004/ Chicken House Jack signs the edition, April 28, 2005. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a10554e4b0ba2ac792fdc2/1403061594562/pg-chicken.png Chicken House https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2eec4e4b05bbc2dca9e52/1403186886695/ Chicken House A photograph of the structure on the Beal/Freckelton property known as the Chicken House. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2ef59e4b0c608f4597b4d/1403187058331/ Chicken House This plate like several others in the "Experimental Suite" was steel faced to create a surface that is much harder than the copper material alone. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a77ec7e4b044c4de462f84/1403485899632/ Chicken House A proof from the first state shows an embossed plate mark at the top of the image. The copper plate was larger than Jack's drawing and would be cut down later. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2efc3e4b09ef21bdc1df0/1403187152854/ Chicken House This detail from the upper right corner of the print shows Jack's use of soft ground, aquatint and line etching. http://www.senefeldernorth.com/with-cap daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2fb15e4b03f568efb3f45/1403190050301/ Self-Portrait, With Cap In making an etching, the plate is first covered with an acid-resistant ground and a needle is used to draw through the ground to expose the copper beneath. The exposed metal is bitten in an acid bath and those depress lines are later inked and printed under pressure. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2fadde4b0597150bd2f5b/1403313053889/ Self-Portrait, With Cap When I first met Jack in 1973 he was wearing a cap similar to the one he is wearing in this photo taken in the 1960s. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2fb4de4b03f568efb3fbc/1403190144791/ Self-Portrait, With Cap Jack processed and proofed this self-portrait etching while he an Sondra Freckelton were living in New York City in 1965. An etching plate such as this one is not nearly as delicate as the drypoint self-portrait Jack made at about the same time. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1063de4b0ba2ac792fec8/1403061825482/pg-cap.png Self-Portrait, With Cap https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2fc22e4b04eb2cd484d1e/1403312695924/ Self-Portrait, With Cap Examining one of the prints from the edition. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2fc5ce4b04eb2cd484d96/1403312949639/ Self-Portrait, With Cap Jack Beal signs the edition of etchings, April 28, 2005. http://www.senefeldernorth.com/still-life-with-angels daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0c6abe4b09c29506562f1/1404094123797/ Still-life With Angels A detail from the middle of the still life. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0c6e3e4b04ed3deba9391/1404094191707/ Still-life With Angels The small angel beside the potted plant. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a87ce2e4b03f99cc1df53d/1403550973924/pg-angels.png Still-life With Angels http://www.senefeldernorth.com/clouds daily 0.75 2014-07-03 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af3a13e4b017d034c759ea/1403992596418/ Clouds Another detail from "Clouds. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af39f8e4b017d034c759d0/1403992566945/ Clouds Detail from "Clouds," drawn with No. 5 and No. 4 litho pencils, on stone. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af3951e4b0eb4097851831/1403992423295/ Clouds Jack examines prints, and Sondra assists printer Roger Bailey. It is late July, 1973, in the print room at St. Lawrence University in Canton, New York.     https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a887c3e4b0995e2e2b5a93/1403553775514/pg-clouds.png Clouds https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af479de4b00738d88147b2/1403996065965/ Clouds Jack gently points out that his assistant with the sponge (Sondra) could lay down a bit more or a bit less water. It is a hot night. http://www.senefeldernorth.com/meadow-white daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af58b3e4b0efba71ec97e0/1404000464645/ Morning Meadow (White on Black) Printer Roger Bailey takes a breather while artists and printing assistants Jack Beal and Sondra Freckelton work at the press to prepare for pulling the next impression. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af59dbe4b0e2bdbc9ec615/1404000736395/ Morning Meadow (White on Black) Another detail, this from the upper right, calls upon the negative forms of the black paper to establish the structures in the landscape. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af596de4b0dcf59ef3b1d7/1404000624050/ Morning Meadow (White on Black) Detail from the left side of" Morning Meadow" shows how Jack catches the early morning sun. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a89712e4b0243829f2017f/1403557673849/pg-lj_meadow_white.jpg Morning Meadow (White on Black) http://www.senefeldernorth.com/meadow daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af4ea8e4b0a6a33f00c1be/1403997864754/ Morning Meadow Detail from the lower left shows a wide range of tones and textures of the liquid tusche. Jack observed the processing of this stone to help make sure tones were not burned out or might fill in. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8979ee4b0c510a5445c3f/1403557828781/pg-lj_meadow.jpg Morning Meadow https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af5181e4b00644e6db0458/1403998598075/ Morning Meadow Jack ensures the edges of the stone are staying clean while Sondra is ready to offer her assistance. When artists get directly involved in the printing process they create more interesting prints. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af5024e4b0732f8674eaa2/1403998255742/ Morning Meadow This detail shows how Jack could handle the technical issues of tusche washes while at the same time he could relate to the expressive power of early morning light. http://www.senefeldernorth.com/salamander daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af6b7ae4b0061852c0017c/1404005243973/ Spotted Salamander "Spotted Salamander" was the last of the four stones that Jack worked on, (often with Sondra's assistance) that July and August, 1973. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af6c99e4b0d582f5d33f32/1404005541970/ Spotted Salamander The upper left corner of the print shows at least five points at which edges of forms touch on the two dimensional plane. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a89c5be4b0997caff0dc72/1403559027695/pg-lj_salamander.jpg Spotted Salamander https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af7027e4b03eebf9eb5ddf/1404006441530/ Spotted Salamander There is a reality here that is animal and plant but Jack is just as concerned with the play of pattern and shape on the two-dimensional plane of the print. http://www.senefeldernorth.com/chapel daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b02830e4b0061852c066d1/1404053553939/155.+SLU%2C+Gunnison+Chapel+in+Snow%3B+Canton%2C+NY.JPG Chapel Gunnison Chapel on the campus of St. Lawrence University, in the snow. This image is from a postcard published in the 1940's. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b02886e4b0061852c0671e/1404053639132/ Chapel Detail of Jack's rendering of the bark of an oak tree. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b8308ce4b0a163e37fb94a/1404579993883/pg-lj_chapel.jpg Chapel https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b028b2e4b0911b30097458/1404053680675/ Chapel Detail of the Gunnison Chapel spire and a cloud formation in the background. http://www.senefeldernorth.com/holstein daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0351ae4b01260143be2d9/1404056856017/ Holstein and Burdock In this detail it is apparent that Jack drew the burdock stems, leaves and seed pods after the Holstein and the fence and gate had been laid down. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0343be4b0caf114ee34d4/1404056643135/ Holstein and Burdock https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b034a5e4b0384cc89ed719/1404056738533/ Holstein and Burdock This detail brings the background and foreground elements together. Making decisions is a vital part of Jack's work. http://www.senefeldernorth.com/self-portrait daily 0.75 2014-07-03 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b071bce4b01e406523b5fa/1404072387455/ Self-Portrait Drawn quickly and easily, directly on the stone without a preliminary drawing. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b072a8e4b03918d8febb07/1404072667302/ Self-Portrait This photograph of Jack was taken in April, 2005. That's twelve years after he made the litho self-portrait and just over eight years before he died, on August 29, 2013 at age eighty-two. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b071e9e4b0129f4e7c02b2/1404072425831/ Self-Portrait For Jack this foreshortened view was not a distortion, it was a challenge and an opportunity to discover new forms. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a89e47e4b03a72d9b9ef5f/1403559513882/pg-lj_self.jpg Self-Portrait http://www.senefeldernorth.com/beal-etchings daily 0.75 2014-07-10 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039af/1403130695488/th-studio.png Beal Etchings Labor Studio https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039b2/1403130622575/th-dana.png Beal Etchings Dana and Sable https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039b3/1403130740818/th-peonies.png Beal Etchings Peonies and Creek https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ab40c9e4b0593846d12755/1403732170774/th-elms.png Beal Etchings Three Elms https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039b1/1403130254862/th-barn.png Beal Etchings Barn From House https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039b7/1403130779617/th-chicken.png Beal Etchings Chicken House https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039ae/1403130563990/th-pool.png Beal Etchings The Dark Pool https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039b5/1403130388340/th-dam.png Beal Etchings Dam and Stump https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039b0/1403130817236/th-brooding.png Beal Etchings Self-Portrait, Brooding https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039b4/1403130892567/th-cap.png Beal Etchings Self-Portrait with Cap https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8b84ee4b0b60c01d039b6/1403130669522/th-pond.png Beal Etchings Pond http://www.senefeldernorth.com/glass-pear daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cb5ee4b0129f4e7c5bd5/1404095327165/ Glass Pear This detail seems to incorporate all the major elements of the print. It is about light hitting two different pears, a plate, a wooden table and a fabric with a deep fuzzy pile. Nice stem. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cb7de4b04ed3deba988a/1404095372367/ Glass Pear A very healthy, natural object, carefully rendered with Korn's number five lithographic crayon. Nicer stem. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac74a5e4b0b04a4fadbdee/1403811002415/pg-ls_pear.jpg Glass Pear http://www.senefeldernorth.com/pitcher daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cc17e4b0911b300a0e6f/1404095510617/ Pitcher There seem to be a lot of things out there that make references to other things out there. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac755ee4b0e12871f26025/1403811184110/pg-ls_pitcher.jpg Pitcher https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b20751e4b067ba36b5bb3c/1404176217553/ Pitcher Sondra examines one of the prints from the edition. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cbe8e4b0ac08754763bf/1404095467655/ Pitcher This print is about the act of observing closely. Looking for subtle and not-so-subtle differences. http://www.senefeldernorth.com/for-chris daily 0.75 2014-07-03 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cc81e4b0d621f6aa8814/1404095613948/ For Chris Leather boot. Careful observation. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b207dee4b03d7c53db4de4/1404176359611/ For Chris Sondra examining one of the prints from the edition. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac762ce4b0a06bed823519/1403811457945/pg-ls_chris.jpg For Chris https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cca6e4b034188ca707d5/1404095655558/ For Chris Stuffed animal, Meticulous drawing. http://www.senefeldernorth.com/garden-landscape daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b739e6e4b06e0feb2dd328/1404516849675/pg-ls_garden.jpg Garden Landscape https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cd20e4b00644e6dc5178/1404095781250/ Garden Landscape Sondra drew with a #5 litho crayon for most of the delicate work, supported by a #3 crayon for some of the deeper blacks. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0ccfee4b044d9476f7383/1404095759599/ Garden Landscape A detail of one of the big peonies in the foreground of the print. The limestone had been grained with #180 grit carborundum to provide a slightly coarse drawing surface. http://www.senefeldernorth.com/jack-print daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b363a6e4b02c366905b328/1404265387665/ Jack This view of a litho stone shows Jack as Sondra drew his image, with a pencil in his right hand. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac778be4b0ec1e791f3944/1403811792062/pg-ls_jack.jpg Jack https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cd80e4b0c08c28395f48/1404095873248/ Jack A detail from a print indicates Sondra drew with a #5 litho crayon for the lighter areas and details and used a #3 crayon for the heavier blacks. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cd92e4b0c08c28395f79/1404095895684/ Jack Also in a detail from a print. Jack might actually have a litho crayon (also called a litho pencil) in his hand. http://www.senefeldernorth.com/primrose-pallet daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7847e4b0a06bed823871/1404179485026/pg-ls_primrose.jpg Primrose Palette https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cde6e4b0be242b00d45b/1404095970561/ Primrose Palette Sondra manages to get a full range of tones and texture out of just a few square inches of a print. There are the deepest blacks here, the lightest grays and there is a lot happening in between. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cf2de4b0732f8676014f/1404096303312/ Primrose Palette Sondra's signature, bottom right. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cdffe4b0be242b00d478/1404096025393/ Primrose Palette A porcelain palette, blobs of water color paint, a piece of fabric, a plastic pot and a wooden table top all meet in this detail. http://www.senefeldernorth.com/freckelton-lithographs daily 0.75 2014-07-25 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7f8be4b02d106233c1c3/1403813774629/th-jack.png Freckelton Lithographs Jack https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7c45e4b0d980731c9ed0/1403812947225/th-ls_pitcher.png Freckelton Lithographs Pitcher https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7b91e4b0bef0179b950a/1403812753405/th-self.jpg Freckelton Lithographs Self-Portrait With Begonia https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7bb8e4b0bef0179b9556/1403812793186/th-zinnias.png Freckelton Lithographs Zinnias https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7eede4b02ccb53d6822d/1403813620977/th-garden.png Freckelton Lithographs Garden Landscape https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7c9ee4b0c46e9229eb92/1403813022404/th-chris.png Freckelton Lithographs For Chris https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7b46e4b009b45dc9d650/1403812679062/th-selfcolor.png Freckelton Lithographs Self-Portrait With Begonia (Hand-Colored) https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7fb9e4b03f33f1da1e89/1403813846293/th-primrose.png Freckelton Lithographs Primrose Pallet https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac7c12e4b0e63cc7c58471/1403812891108/th-pear.png Freckelton Lithographs Glass Pear http://www.senefeldernorth.com/about daily 0.75 2014-07-25 http://www.senefeldernorth.com/sondra-freckelton daily 0.75 2014-07-25 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b56dbde4b0a379dde5533a/1404399042854/ Sondra Freckelton Sondra Freckelton, in her studio near Oneonta, NY, April, 2014 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b61534e4b0657eb1aa7a59/1404441909733/static.squarespace.jpg Sondra Freckelton In 1974 Sondra and Jack bought a former mill on the Ouleout Creek, They totally renovated the structure and with Sondra's designs and models they built their home and studios there. http://www.senefeldernorth.com/senefelder daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b46161e4b0d9a582b21daf/1404330419663/ Senefelder Club The print studio. A Rembrandt etching press on the right, and a motorized Dickerson combination lithography and etching press in the back. Modest equipment but it does the job. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b466ade4b0fba60b799cfb/1404331720285/ Senefelder Club It all looks clean and organized at the moment. It's great to have the light, and the view, and some solar heat energy, and plenty of room to lay out prints. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b5c191e4b01ddf6fc8821f/1404420544833/ Senefelder Club The home of "The Senefelder Club of the North Country." In December, 2013, a build-up of snow and ice came sliding down off the metal roof and took out the chimney and four windows. The windows have now been replaced but the chimney is waiting on a contractor. http://www.senefeldernorth.com/clouds-white daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a88940e4b05c2afe977d70/1403554147855/pg-lj_clouds_white.jpg Clouds (White on Black) https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af3eede4b0e2bdbc9eaf9d/1403993840666/JB%2C+7301%2C+Clouds%2C+white+on+black%2C+detail+1.jpg Clouds (White on Black) Detail from the lower right corner of "Clouds." https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af3e65e4b094f6ef91b29a/1403993703323/ Clouds (White on Black) Printer Roger Bailey waits with a freshly charged ink roller while the stone is being dampened again, continuing to re-ink the stone before pulling the next impression. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af3f40e4b094f6ef91b3ae/1403993917890/JB%2C+7301%2C+Clouds%2C+white+on+black%2C+detail+2.jpg Clouds (White on Black) Another detail, this from the upper center section of "Clouds." https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53af3e95e4b01e406522ebea/1403993772037/ Clouds (White on Black) Jack inspects the latest print pulled to make sure he is getting everything in the print that he put into his drawing, and nothing more. Sondra is ready with the dampening sponge while Roger handles the ink roller. http://www.senefeldernorth.com/for-christopher daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0807ee4b0410043ed31c3/1404076159194/ For Christopher A detail of one of the angels in the lower left corner of the print. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a89eeae4b08d033961d09f/1403559719978/pg-lj_christopher.jpg For Christopher https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b08053e4b0eb409785fb7d/1404076107364/ For Christopher A detail from the central flower form. http://www.senefeldernorth.com/landscape-with-gate daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a8a222e4b0051720d87062/1403560499555/pg-lj_gate.jpg Landscape With Gate https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0bf45e4b074545350f52f/1404092234440/ Landscape With Gate While we were processing the stone Jack made adjustments to some of the tusche areas by using an acid-biting technique to open up the background washes. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0bf25e4b074545350f50e/1404092196044/ Landscape With Gate Jack worked with liquid tusche diluted in water and a moderately hard litho crayon for structural support. http://www.senefeldernorth.com/begonia-hand-colored daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53ac71b6e4b0e2153d29c54f/1403810241364/pg-begoniacolor.jpg Self-Portrait With Begonia (Hand-Colored) https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0c982e4b09021779416db/1404094851607/ Self-Portrait With Begonia (Hand-Colored) Sondra's control of the watercolor medium is well illustrated in this detail from her print. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0c936e4b0f61134977816/1404094784265/ Self-Portrait With Begonia (Hand-Colored) Sondra and Jack were willing and able assistants to the printer and always showed support and encouragement to each other through all the stages of making a print. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0c95ee4b03eebf9ec5678/1404094819265/ Self-Portrait With Begonia (Hand-Colored) Color can add something special to an already strong print. http://www.senefeldernorth.com/zinnias daily 0.75 2014-07-05 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0cb04e4b0b3e1fc214462/1404095238942/ Zinnias Sondra did not need a mathematical formula to predict the complexity of this still life element. She found it by observing very carefully, with a constant light source and lots of patience. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b206c4e4b031b5b464cd8a/1404176082250/ Zinnias Sondra examines one of the prints from the edition. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b0caebe4b0278b7bde4e42/1404095207933/ Zinnias This is more than a vase with water and a few Zinnias stuck in it. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53b73950e4b0c17862bc020b/1404516691565/pg-ls_zinnias.jpg Zinnias http://www.senefeldernorth.com/three-elms daily 0.75 2014-07-04 https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1ccd7e4b0660764640cde/1403112664573/ Three Elms Jack's signature, lower right. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a0f685e4b063c459142d04/1403057798901/pg-elms.png Three Elms https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a1cc51e4b01c7e0c040459/1403182909943/ Three Elms The copper plate was developed as a line etching by Jack and he pulled a few trial proofs in his own studio. https://static1.squarespace.com/static/53779474e4b0bbcc0ca71bfe/t/53a2e77fe4b080549e620a24/1403185044626/ Three Elms Signing the edition, April 27, 2005.